For millennia, men have struggled with the basic problems of life. Food, water, and shelter were daily struggles. provided a deeper problem was always present, sometimes ignored or dismissed, tho always in that respect. Who am I, and where am I? The coifs were comfortably kind to all, in the revelation from God that is lay out in the Bible. still the prowessists of the time refused to accept that answer. They turned to themselves or different things for the answers, and found none. And so, the questions festered in peoples hearts, and everywhere time, it was noticed. It became all too likely over the course of the last few centuries, with art become nonsensical and increasingly horrific. The essence of the in advance(p) movement is unverbalised to pinpoint, exactly, because modern art covers such a wide function of subject matter. From the random paint drippings of Jackson Pollock to Francis Bacons reinterpretation of pontiff inculpable X to Edward Paolozzis Pa ris Bird made from zero but objects found in the local dump, nothing was forbidden. But at the heart of every piece of art, merchantman the scrap and splatters, there were those questions, questions which were tearing at the mind of the artist, questions which they refused to see the answer to. Their art had no meaning, but the driving force behind it was those terrible, incontestable questions.
The artists could not find truth, rather, they didnt sine qua non to find the authorized truth, so they searched for alternatives, and came up blank. They did not want to give their lives to God, and indeed they gave t hemselves to hopelessness, meaningless, and ! ultimately, death. These feelings be embodied in Francis Bacons painting, Head IV. It is a bid, a scream against that aching hole, the overwhelming feeling of insignificance. The dark stress gives an ominous... If you want to get a full essay, order it on our website:
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