Francis Bacon and Brett Whiteley

Brett Whiteley and Francis Bacon Essay Question Discuss the way Whiteleys seduce Self Portrait in the Studio 1976, and Bacons portend in Movement, 1976 show two very various processiones to suffice. How stick these mechanics workd gesture, colour, and systema skeletale other than in these full treatment to explore totally different horny and psychological territory? Francis Bacon and Brett Whiteley show two very different approaches to their practice. They commit gesture, colour and score differently in these works to explore different emotional and psychological territory.The making of an chaste practice is installd on the contrivanceists view of the things affecting and contri plainlying to his society and office on the world. Differing styles in this depend on the artist and their intent in making their artwork which is evident in the two contrasting works of Whiteleys Self portrait in the studio apartment 1976 and Bacons Figure in movement, 1976. They portray the ir views through a range of techniques. Artistic practice is the way in which an artist goes about their work. It refers to the conceptual and making processes of an artwork.An artist will find a suitable subject matter, develop skills and design visual codes and symbols to portray their ideas and concepts to hopefully trigger a certain interview response. An artist would want to be reflective of the society and world of that cartridge clip to have the audience be able to connect with ideas and concepts they want to convey. How they take out it and why they make it is a good word to their different media, styles and techniques and also their use of the visual qualities and relationships as well as the influence of their global and personalised world and other(a) artists and their movements.Francis Bacon says that he is deforming and reforming reality in his icons this is evident in his work Figure in movement, 1976. Distorted features of the human form are typical with Baco ns figurative style. Bacon stated that his aim was to not make exemplar of reality but to create pick ups which are concentration of reality. equal to(p) matter is not something that Francis Bacon said he traditionally looks for but he was inspired by people like Muybridge and his photography of deformities and animal locomotion.In his studio he has collection of his works spread out on a table, these things spread around the table are perhaps what more stodgy artists would call subject matter. He is also inspired by medical books of x-rays and diseases of the mouth which he interprets as beautiful and fireing. He finds abruptly carcasses of cattle in the butcher as one of the some vibrant colour palettes and interesting forms. In the background of the work thither is a pig carcass which is evidence of his interpretation of beauty .He uses a toil of dark grey colours for the forms and a bright orange base with a black background ambiguously. In the work Figure in movement, 1 976 Bacon based the conceptual idea from a book which had a personal line of credit The reek of human blood smiles out at me. This provoked a strong sense of imagery which transformed in to his art and in particular this work of two distorted forms wrestling. He successfully depicts violence in to the work which has been fuelled from that line and the audience successfully receives it.Francis Bacon is seen as an artist who creates his work very unconventionally. He uses the unprimed side of a rout outvas as he became accustomed to it after losing all his money and using the other side of old pictures because he couldnt afford new canvases. He does not do sketches before taking on a painting and senses whichever way his brush takes him is the way that he wants to go. He says that I have an overall image that I want to do but its in the working that it develops, and I believe in a late ordered chaos of work. Bacon never attended an art school because he thinks I would have been taught all those old techniques that I just acceptt want to know, I wanted to find my own techniques. You cant any longer make illustration because its do so much better by the camera and the cinema. He has a habit of manically working paint into a canvas not and with a paint brush but with cloths and dishwashing instruments which adds to the frenzy of his work.Francis Bacon doesnt put much emphasis on the meaning of his work but on the mood and feeling it creates, I do believe that nowadays modern man wants a sensation in truth without the boredom of its conveyance, a cut down of conveyance as far as likely so you just give over to sensation, though interestingly he says I never feel anything when I do paintings theres nothing to feel. Many come away with the feeling of hatred from a Bacon work but thats not the intention what aversion could I make that could compete with what goes on every single day. Brett Whiteleys painting Self portrait in the studio won the Archibal d cherish in 1976. It was one of several Archibald prizes that he one in the 70s. Whiteley was known for the topics of nudes, portraits, landscapes, still lifes of the female form, birds, and abstracts which all feature heavily in his self portrait of not only him but things that are just to him and reflect his life and work as represented in the form of his studio. In this work Whiteley is trying to express that yes, this is a mirror image of myself but I am not just Brett Whiteley, I am also Brett Whiteley who is part of this environment at this time. This painting is a testimony to what he loves and his working space in which he has created his career from and his artistic practice. He expresses this by including important elements of his life. Brett Whiteley strongly uses emotive qualities of colour. The whole painting is held together by the unifying prevailing quality of blue which is his touching colour. He is recognised for this colour because he is always referencing the water in particular in this painting of his studio overlooking the harbour in lavender Bay.This colour is also spread on to the walls and acts as a appeasement effect on the receiving audience. The colour is rich and bright to contrast with other points of focus in the get on. The way he has developed the forms and shapes in the room are meant to convey the idea of man only being as big as any other point of reference. Whiteley reinforces this idea by making all focal points distorted and exaggerated. This is a celebration of his interest in female form and his figurative sculpture works.It is evident in Self Portrait in the Studio that Whiteley has worked with slow, spontaneous gestures and worked back in to the canvas with scratches. The drawings of surroundings are minimal and simplistic and have been displace with free loose lines to convey emotion. Whiteley says that the best times when paintings are make when Im not in charge of it all, if I sustentation my ego out of i t there is kind of a pure run of that recommendation and that solution of a kind of neat rightness that goes in as best and as accurately as one can.This approach contributes to the mood, feeling and meaning of the work and the sense of the way being an artist has impacted on his life. The small self portrait in similitude to his big studio also reflects how it dominates his life but is reflected as his most enjoyable escape. The painting also has a dream like feel showing his relationship with his art. Both of these two artists have very differently developed their practices.I think an interesting comparison between them is that Francis Bacon was always referencing decease and in his documentary The Art of Francis Bacon when talking about how Egyptian art inspired him said I guess they were always trying to scourge death by leaving images but it wont really make a difference. We will all be dead. And that one of Brett Whiteleys famous quote is Art is the thrilling spark that be ats death, thats all. I think these two conflicting statements perfectly sum up the contrast they have in ideas and show how they explore emotional and psychological territory differently.